Thursday, December 26, 2019

A Raisin in the Sun vs. Julius Caesar - 2295 Words

Kyla Beecher Ms. Hilliard English 2 Honors 4 January 2013 Traditional vs. Modern Drama In William Shakespeare’s Julius Caesar and Lorraine Hansberry’s A Raisin in the Sun themes, symbols, and characters can be compared. Both A Raisin in the Sun and Julius Caesar were written for the stage; therefore their characters become more obvious and more thoroughly portrayed than in a book, for example. Even though, these works were written by far different authors and in different centuries their similarities and differences are evident. In both A Raisin in the Sun and Julius Caesar themes, symbols, and character development are consistent. Comparing character development in Julius Caesar and A Raisin in the Sun is beneficial in learning more†¦show more content†¦In Raisin in the Sun, Mama’s plant represents her dreams and the rest of her family’s dreams. A result of this would be Mama always making sure to take extra care of her plant and to nourish it well. On the other hand, Mama’s check represents all of the hard work that her husband achieved and how hard he had to work to actually obtain that amount of money. Beneatha’s hair symbolizes the assimilationist beliefs of the time and how people become inferior to the dominant race. When Beneatha returns her hair to its natural state it symbolizes that she is against common assimilation beliefs. The symbolism of her hair is evident in a conversation between her and Asagai, â€Å"’(Coming to her at the mirror) I shall have to teach you how to drape it properly. (He flings the material about her for the moment and stands back t o look at her) Ah—Oh-pay-gay-day, oh-gaha-mu-shay. (A Yoruba exclamation for admiration) You wear it well†¦very well†¦mutilated hair and all.’ ‘(Turning suddenly) My hair—what’s wrong with my hair?’ ‘(Shrugging) Were you born with it like that?’ ‘(Reaching up to touch it) No†¦of course not. (She looks back to the mirror, disturbed)’ ‘(Smiling) How then?’ ‘You know perfectly well how†¦as crinkly as yours†¦that’s how’† (Hansberry 61-62). The symbols used in Julius Caesar are omens, pain, and the conspirators bathing in Caesar’s blood. In Julius Caesar, omens symbolize evil and warn people against evil and bad things that could happen,

Wednesday, December 18, 2019

Cultural Identity In Alice Walkers My Mother Pieced Quilts

Alice Walker, a famous author, stated in her short story, Everyday Use, â€Å"Dee (Wangero) looked at me with hatred. â€Å"You just will not understand. The point is these quilts, these quilts.† Each person’s identity is shaped from a culture that is built with the offering of everything in his or her surrounding environment. Culture is one of the most important factors, though there are many other contributing factors, that can influence someone’s perspective on the world because all of their opinions, decisions, and morals are all based off of their surrounding environment. In the poem and story, â€Å"My Mother Pieced Quilts† and Everyday Use, they both demonstrate how one’s cultural identity is influenced by his or her surroundings, changing the†¦show more content†¦Another piece of the literature that has similar attributes to the is the poem â€Å"My Mother Pieced Quilts.† The poem uses a mother’s handmade quilt to a ccess and explore the poet’s childhood memories. Like how a quilt is made, the poem pieces together memories in order to show the reader a complete image between the speaker’s childhood and the mother’s strong influence. The speaker shows how her mother’s influential ways shaped into the person the speaker is today. For example, â€Å"But it was just that every morning I awoke to these October ripened canvases passed my hand across their cloth faces and began to wonder how you pieced all these together.† This quote shows the interest that the speaker has towards her mother’s quilt, she then explains in great detail how her mother threads pieces of fabrics together, obviously admiring her mother’s works. This reason shows how a person’s identity is influenced by his or her environment. However, many can argue that someone’s identity is not always shaped because of their surrounding environment, which is believable to an extent. For example, a person could go to church for their whole childhood, but as they grown up they could interpret religion in a whole different way or not be religious in any way . If it was had just been based off their culture, then they would still be religious forever. Many people around the world may be trapped within their own culture like in theShow MoreRelated Alice Walkers In Love and Trouble Essay2326 Words   |  10 PagesAlice Walkers In Love and Trouble Stories from In Love and Trouble, like other Alice Walker’s works, are the portrayal of black women. I would interpret the term â€Å"black women† as women who have gone through all sorts of hardship and struggles, but not all women in the world or only those with black skin. I strongly argue that Walker’s characters are better represented as women who suffer the way African American women do, than as women with black skin. I will justify my argument by referringRead MoreEveryday Use By Alice Walker1948 Words   |  8 Pagesthemselves in different ways. Whether it’s by our names, our religion, or our sexuality, we all have something different that make us unique and that we identify ourselves as. In Alice Walker’s short story â€Å"Everyday Use,† an African American woman tells the story of her daughter Dee’s long awaited visit. Upon her arrival the mother and her other daughter, Maggie, discover some drastic changes in Dee: she has changed her name to Wangero, she also arrived with a mysterious man who calls himself Asalamalakim

Monday, December 9, 2019

Wagner Beethoven Essay Example For Students

Wagner Beethoven Essay By:Seth CoxEnglish Research Paper3/26/99Ludwig Van Beethoven, thought by many to be a sort of demi-god, a man ofotherworldly genius. Beethoven has had such titles as: Beethoven the Creator,Beethoven, the Man who Freed Music, and Beethoven, Life of a Conqueror,(Internet source, roughguides 1). These typical images created of Beethoven havebeen around since the composers day, extracting the astounding character fromthe his astounding music. True excellence does not come from on category, todiscover his true source of excellence, his life, time and hardship must beuncovered. Beethoven is believed to be the ultimate product of German idealism and thevery personification of an age of revolution. Beethovens music declared his lovefor humanity, but in fact he hated most people. Beethoven put with people forone sole reason, himself, the people paid his way, and he needed the money. Beethovens music was loved by all, and wanted by many, and he was capable ofselling scores to six or seven different publishers. Beethoven was a man whowanted money, he didnt care about ideas or principles, so he sold his music toanyone. Beethoven asserted his independence and self-expression by stating,What is in my heart must come out, and so I write it down (Internet source,roughguides 1)From the time of its composition, his music has been celebrated as westerncivilizations most powerful expression of its innermost experience. Beethovenhas been renowned as the greatest, most respected pianist of the day. He was ableto improvise at length upon any theme, and capable of technical feats, that stumpand confuse even trained musicians nowadays, making them impossible toduplicate. Beethovens technique came as a shock to many people, he would raisehis hands above his head and literally smash the keys with such force that heregularly broke the strings. Beethoven was so mad at himself for not being ableto reproduce the sounds in his head, he punished the keyboard for not allowinghim greater freedom. Ludwig Van Beethoven was born in Bonn in 1770. He was not the first in hisfamily to deal with music, his father and grandfather were musicians at the courtof the Elector of Colongne. His father recognized his sons talents; and his effortshelped Beethoven to develop to his fullest extent. Beethoven started to takelessons for the piano, violin and possibly the viola with his father as his teacher. In 1778, Beethovens father arranged a public concert in Bonn. After the concert,his father realized that he must look elsewhere to teach his son. Beethoven soon began to take lessons from a man named Christian Neefe. During Beethovens time of development, Neefes teachings were vital, and alsothrough him, Beethoven gained a firm musical grounding. With Neefesteachings, Beethoven was encouraged to look beyond Bonn, so in 1787, he set outfor Vienna, but had to return on account of his mothers sickness. WhenBeethoven returned from Vienna, he was appointed assistant organist and wasalso a viola player in the court orchestra. In the winter of 1788, Beethoven wasengaged to play in a theater orchestra that the Elector had organized. Beethovens work atcourt gained him valuable experience of orchestral practice and composition. In1790, Beethoven met a man named Haydn, and in 1792 Beethoven decided thathe would go to Vienna and study with this man Haydn. A few month after arriving in Vienna, Beethoven received word that his fatherhad died. His fathers death left Beethoven much pain and dispare, as well asfinancial problems. His salary was guaranteed by the Elector because of hisfriends at home, and even Haydn tried to help. Along with financial problems,Haydn, who was giving Beethoven lessons, decided that he could no longer helpBeethoven, and left on a trip to London. This loss of lessons didnt affectBeethoven much, as it turned out his lessons had not been much of a success. After this, Beethoven decided that he should stay in Vienna and try to make acareer for himself. In 1801, Beethoven began to notice a change in his hearing. At first, hesuffered day and night from a terrible buzzing in his head, but before long, he lostthe ability to distinguish pitch, and by 1803 he was virtually stone deaf. Duringthis time, Beethoven not once complained that he had become creatively impairedbecause of his deafness, in fact, he went on to comp ose the most adventurouspiano music ever written. During this time of hardship, he went on to composesuch work as his Third Symphony and Eroica. .ubd68d828049cd2165fb689fbf3e6697d , .ubd68d828049cd2165fb689fbf3e6697d .postImageUrl , .ubd68d828049cd2165fb689fbf3e6697d .centered-text-area { min-height: 80px; position: relative; } .ubd68d828049cd2165fb689fbf3e6697d , .ubd68d828049cd2165fb689fbf3e6697d:hover , .ubd68d828049cd2165fb689fbf3e6697d:visited , .ubd68d828049cd2165fb689fbf3e6697d:active { border:0!important; } .ubd68d828049cd2165fb689fbf3e6697d .clearfix:after { content: ""; display: table; clear: both; } .ubd68d828049cd2165fb689fbf3e6697d { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ubd68d828049cd2165fb689fbf3e6697d:active , .ubd68d828049cd2165fb689fbf3e6697d:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ubd68d828049cd2165fb689fbf3e6697d .centered-text-area { width: 100%; position: relative ; } .ubd68d828049cd2165fb689fbf3e6697d .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ubd68d828049cd2165fb689fbf3e6697d .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ubd68d828049cd2165fb689fbf3e6697d .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ubd68d828049cd2165fb689fbf3e6697d:hover .ctaButton { background-color: #34495E!important; } .ubd68d828049cd2165fb689fbf3e6697d .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ubd68d828049cd2165fb689fbf3e6697d .ubd68d828049cd2165fb689fbf3e6697d-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ubd68d828049cd2165fb689fbf3e6697d:after { content: ""; display: block; clear: both; } READ: Haha EssayThe decade after he completed Eroica, he produced masterpieces of greatsuccession. He produced such work as his opera Fidelio, the Rasumousky stringquartets, the violin Concerto, the fourth and fifth piano concertos, symphoniesfour to eight, and many of his piano solos, including the Waldstein andAppossionata sonatas. Beethoven took great interest in the French Revolution, and he admired itsleader, Napoleon. He admired the leader so much that he dedicated his ThirdSymphony, Eroica to him. Eroica was a landmark in the development ofsymphonies, and it was twice as long as anything similar by Mozart or Haydn. However, when Beethoven heard that Napoleon had crowned himself emperor, hewas disgusted and changed his dedication. Form then on, Beethoven seemed tohate anything French, and later was compelled to hate it even more. The invasionof Vienna, by Napoleons army in 1805 happened to occur at the same time as thefirst performance of Beethovens opera, Fidelio. It wasnt until 1806 thatBeethoven revised it, and then it wasnt until 1814 that he revised it again and itfinally gained its deserved success. As 1808 came to a close, Beethoven presented several major works, all in thecourse of one evening. On the 22nd of December he gave a concert at the Theateran der Wien, which included the Fifth Symphony, the Choral Fantasia, the PianoConcerto in G, and various movements of the Mass for Prince Esterhazy. In may1808, Haydn had died, and there was now no one to challenge Beethovens rightto be the musical king of Vienna. At the end of 1813, the Seventh Symphony was performed for the first time. The premiere of the Seventh Symphony together with Wellingtons Victory or theBattle of Victoria, gave Beethoven the public recognition he wanted. But hissuccess was soon to be spoiled. In 1815, his brother Caper Anton Carl died andleft his son Karl to Beethoven as his legal guardian. Also Beethovens increasingdeafness made it impossible for him to conduct his work, or even perform anymore. Beethovens last years included illness and worry on one hand, but on a higherhand, he had some monumental masterpieces. His achievements in the last yearsof his life included such work as: The Diabelli Variations, the last piano sonatas,the last six string quartets, the Mass in D major, Miss Solemnis, and the ChoralSymphony No. 9. In 1824, Beethovens fame had grown so far the his name and music wereinternational in a way that not even Mozarts had been, and he had finally beenaccepted in Vienna as the way he should be. The Viennese were fond, and evenproud of the eccentric man in their midst. In the fall of 1826, Beethoven returned to Schwarzspanierhas in Vienna, it wasthere that Beethoven was to die. It was recorded thought, that on the dayBeethoven died, there was a terrible storm that raged in Vienna and the dying manhad shaken his fist at the heavens as thunder and lightning struck the town. (Internet source, roughguides 3)Beethoven was a man that had to deal with excruciating problems, his life wasnot some walk in the park. I believe that he was given a great gift, a gift so greatit was perfect. But that was the problem, nothing in this world is perfect, soBeethoven was given many problems to compensate for the gift he had received. With all these problems though, Beethoven over came them, he looked pain andanguish in the face and went past them. Now once someone has overcome suchodds, and uncovered their weaknesses and problems, it is then that true excellencecan be given. So in my response, I think that Beethoven was a miss understoodman, he was brilliant and powerful, but people thought to much of him, and itprovided allot of added pressure to his life. .u45a8dea172272d9570d685c778bb3ab9 , .u45a8dea172272d9570d685c778bb3ab9 .postImageUrl , .u45a8dea172272d9570d685c778bb3ab9 .centered-text-area { min-height: 80px; position: relative; } .u45a8dea172272d9570d685c778bb3ab9 , .u45a8dea172272d9570d685c778bb3ab9:hover , .u45a8dea172272d9570d685c778bb3ab9:visited , .u45a8dea172272d9570d685c778bb3ab9:active { border:0!important; } .u45a8dea172272d9570d685c778bb3ab9 .clearfix:after { content: ""; display: table; clear: both; } .u45a8dea172272d9570d685c778bb3ab9 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u45a8dea172272d9570d685c778bb3ab9:active , .u45a8dea172272d9570d685c778bb3ab9:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u45a8dea172272d9570d685c778bb3ab9 .centered-text-area { width: 100%; position: relative ; } .u45a8dea172272d9570d685c778bb3ab9 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u45a8dea172272d9570d685c778bb3ab9 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u45a8dea172272d9570d685c778bb3ab9 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u45a8dea172272d9570d685c778bb3ab9:hover .ctaButton { background-color: #34495E!important; } .u45a8dea172272d9570d685c778bb3ab9 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u45a8dea172272d9570d685c778bb3ab9 .u45a8dea172272d9570d685c778bb3ab9-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u45a8dea172272d9570d685c778bb3ab9:after { content: ""; display: block; clear: both; } READ: Effects of Maternal Employment on Infant Developme EssayBibliography PageInternet source: Ludwig Van Beethoven,http://www-2.roughguides.com/music/classical/cla_bee.htmlInternet source: Biography of Beethoven,http//www.geocities.com/Vienna/Strasse/2914/beethoven/beetbio.htmlBook Source: Beethoven and his World, by Alan Kendall

Monday, December 2, 2019

On Guard, Mr. Opponent! Searching for the Logical Fallacies in October Debates. Obama vs. Romney

Introduction: In Search for the Graphic Illustrations of Fallacies In the ideal world where the laws of human nature are inapplicable to political leaders, debates can probably run without any observable instances of fallacies; however, in the world of the present-day reality, winning over a political opponent in a debate presupposes using a number of tactics of logical fallacies, which will obviously represent the rival in the least favorable light possible.Advertising We will write a custom research paper sample on On Guard, Mr. Opponent! Searching for the Logical Fallacies in October Debates. Obama vs. Romney specifically for you for only $16.05 $11/page Learn More Taking the recent presidential debates as a source material for all sorts of logical fallacies that can occur during a conversation, one can easily figure out how certain logical fallacies can be applied to practice. Analyzing the conversation which Barack Obama and Mitt Romney had during t he October debates, one can see distinctly that the outcomes of the above-mentioned debates depend considerable on the public’s opinion of each of the candidates, which, in its turn, is shaped greatly by the use of the logical fallacies in the rivals’ speeches. Romney’s Fallacy of Accident or Sweeping Generalization One of the first fallacies to mention is the fallacy of accident, or sweeping generalization. According to the existing definition, sweeping generalization is â€Å"referred to as the fallacy of accident, to emphasize the irregularity of particular cases to which generalizations do not apply† (Engel 72). The aforementioned means that the fallacy of accident stretches a concrete example to the scale of a common truth. When taking a closer look at the arguments which Romney offers in his speech, one can easily notice that he actually makes a generalization of what Obama said earlier, thus, turning the entire argument upside down: And the answer is, yes, we can help, but it’s going to take a different path. Not the one we’ve been on, not the one the president describes as a top-down, cut taxes for the rich. That’s not what I’m going to do. (TheNewYorkTimes) Compared to this statement, Obama’s idea was expressed in the following way: I think it’s important for us to develop new sources of energy here in America, that we change our tax code to make sure that we’re helping small businesses and companies that are investing here in the United States. (TheNewYorkTimes)Advertising Looking for research paper on rhetoric? Let's see if we can help you! Get your first paper with 15% OFF Learn More Romney substituted â€Å"small businesses and companies† with â€Å"the rich†. Hence, the generalization with a fallacy turning the tables on the opponent can be spotted. An Appeal to Emotion: Mitt Romney’s Teary-Eye Stories When guided by emotions, people ma ke hasty choices, which the next fallacy makes use of. An appeal to emotion can be described as â€Å"a red herring fallacy in which a speaker attempts to persuade an audience through emotional manipulation† (Shabo 96). In the presidential debates, Mitt Romney appeals to the audience’s compassion by showing how he sympathizes with the American folk: Ann yesterday was at a rally in Denver and a woman came up to her with a baby in her arms and said, â€Å"Ann, my husband has had four jobs in three years, part-time jobs. He’s lost his most recent job and we’ve now just lost our home. Can you help us?† (TheNewYorkTimes) An obvious appeal to the audience’s emotions, this element of Romney’s speech does not bear any significance as from the rest of his argument. Used only to make the audience feel that Romney has the common touch, this part was inserted to stir people’s emotions. Obama Attacks the Opponent Personally: Touchà ©, Mr. Romney However, Obama also used a couple of tricks which can be recognized as logical fallacies. He uses the tactics known as â€Å"personal attack.† According to the definition offered by Walton, personal attack is a type of fallacy which occurs â€Å"whenever we attack a person instead of his or her argument† (Walton93). Personal attack aims to point at the weaknesses of the opponent instead of the opponent’s reasoning. Indeed, at certain point Obama tends to judge Romney’s personal features basing on the decisions which Romney makes: â€Å"The problem is that he’s been asked over 100 times how you would close those deductions and loopholes, and he hasn’t been able to identify them† (TheNewYorkTimes). Questioning Romney’s competence, the given sentence makes it clear that Obama wants to make Romney look silly in the eye of the public and, therefore, reduce his impact on the public’s opinion. The Power of Fear: Obamaâ⠂¬â„¢s Terrifying Supposition In addition to the logical fallacy mentioned above, Obama also uses another tactics of fallacy that helps him control the audience and at the same time make the opponent look bad. There is no secret that the sense of fear is registered among one of the strongest driving forces period, which means that fear is the most efficient method of controlling the audience.Advertising We will write a custom research paper sample on On Guard, Mr. Opponent! Searching for the Logical Fallacies in October Debates. Obama vs. Romney specifically for you for only $16.05 $11/page Learn More Defined as the representation of ability to protect people against the threats mentioned by the speaker (Paul and Elder 21), an appeal to fear is very efficient. Making good use of people’s sense of fear, Obama depicts the most dreadful consequences possible that can follow Romney’s politics: The approach that Governor Romney’s talking about is the same sales pitch that was made in 2001 and 2003, and we ended up with the slowest job growth in 50 years, we ended up moving from surplus to deficits, and it all culminated in the worst financial crisis since the Great Depression. (TheNewYorkTimes) Needless to mention, the years of Great Depression still remain one of the darkest times in the history of the USA, triggering complicated economical, financial and social issues. Hence, Obama’s remark makes a truly great impression and serves as a means to make Romney look incompetent. An Appeal to Ridicule: Romney’s Final Attempt at Winning As it has been mentioned above, fear has a great power over people; hence, to reduce the effect which the opponent has on the public, making fun of the former and, therefore, making him less significant and, thus, less threatening, is a reasonable, though not quite fair, practice. An appeal to ridicule is defined as an attempt â€Å"to show an utter incapacity for underst anding† (Cox, Nicoll and Moffatt 402). Romney uses the above-mentioned tactics in his performance, though not efficiently enough. Trying to make the rival look silly, he pokes fun at the choices which Obama makes: But don’t forget, you put $90 billion, like 50 years’ worth of breaks, into — into solar and wind, to Solyndra and Fisker and Tester and Ener1. I mean, I had a friend who said you don’t just pick the winners and losers, you pick the losers, all right? (TheNewYorkTimes) Creating a comedic effect, Romney also attempts at tarnish Obama’s reputation by assuming that the latter makes wrong choices and is highly likely to fail. Still, this attack is too obvious to be effective; instead of damaging Obama’s reputation, it harms Romney, since the audience can sense now his spite towards Obama.Advertising Looking for research paper on rhetoric? Let's see if we can help you! Get your first paper with 15% OFF Learn More Conclusion: Constructive Arguments without Dirty Tricks Are Possible As it can be seen in the examples mentioned above, even the fairest and the most transparent debates in the world of politics are meant to incorporate all sorts of logical fallacies, which helps the opponents represent their own arguments in the best way possible, while showing the vis-à  -vis to his utmost disadvantage. However, it is important to mention that in the given case, the opponents do not abuse these methods in order to take over each other. Even though each of them resorts to a certain fallacy now and then, there is no common thread of resorting to false accusations and ridiculing of the opponent. It goes without saying that both Obama and Romney aimed at impressing the audience to win the elections rather to come to a certain conclusion in their debates. However, taking into account that the above-mentioned was actually the purpose of the debates, it is quite forgivable that both Obama and Romney res orted to using logical fallacies. Hopefully, further on debates are going to be taken to a different level, on which the opponents will represent their ideas without actually trying to get on each other’s throats, which will lead to a better representation of the future leaders’ goals and actions which are going to be undertaken after the elections. Works Cited Cox, Nicoll and Moffatt. The Expositor. Hachette, UK: Hodder Stoughton, 1894. Print. Engel, Morris S. Fallacies and Pitfalls of Language:  The Language Trap. Mineola, NY: Courier Dover Publications, 1994. Print. Paul, Richard and Linda Elder. Thinker’s Guide to Fallacies:  The Art of Mental  Trickery. Berkeley, CA: The Foundation for Critical Thinking, 2006. Print. Shabo, Magedah. Rhetoric, Logic, and Argumentation: A Guide for Student Writers. Clayton, DE: Prestwick House, 2010. Print. TheNewYorkTimes. â€Å"Complete Second Presidential Town Hall Debate 2012: Barack Obama vs. Mitt Romney – Oct 16, 2012.† YouTube. YouTube, 16 Oct. 2012. Web. https://www.youtube.com/watch?v=QEpCrcMF5Ps. Walton, Douglas N. Ad Hominem Arguments. Tuscaloosa, AL: The University of Alabama Press, 1998. Print. This research paper on On Guard, Mr. Opponent! Searching for the Logical Fallacies in October Debates. Obama vs. Romney was written and submitted by user Julian Gould to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. 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